His album marketing tactics are as hilarious as the one-liners and ad-libs in his tracks as he recently rode a horse around Atlanta to announce his next tour, and organized a funeral procession at SXSW where he had a coffin marched around that had “Slime Season 3” and “March 25, 2016” painted on it. The new we got are ridiculously tremendous.Young Thug is one of the most intriguing rappers in the game right now. You can tell, London put his heart in here. The stuff we got for the album is not in the same formula. Like, the stuff we have on SS3 is more formal: let's take it straight to the club, let's put it on the Hot 100. You'll see all the details, it's not a formula on the album music. is more musical, you'll see the true producer of London. My sound now is still bouncy, but it's kind of laid back. How would you describe your new sound? What does Hy!£UN35 sound like? If we do it five years ago, I think it'd still sound good right now. I don't even use the sounds in those beats that I used to make no more, I got a whole new sound right now. When you hear those sounds-the sirens, all that stuff-it's similar to that sound of music I made, like, when I made "Check" because it was made that long ago. It's crazy, cause I didn't touch not one of those songs-none of those songs changed. It's crazy how he can finish a song in ten minutes.ĭid you have to make any adjustments or changes in order to bring these tracks up-to-date and release-ready? It was easy for him, he does it in one take. When he was laying down, he was just freestyling it-just doing melodies in the booth-and I was like, “That's the shit right there.” Then he figured out the words and from there he just flowed the whole track. "Digits" was dropped the day before the tape, how did that song come together? We just play around with it until we know it's a hit. I'll make sure it's complete-this breakdown is for this part right here, this is for that section, the intro need to start like this. He does what he does, and then he's like, "Okay, I did my part, London, I want you to tweak it." So I finish it up. When I play a few melodies, he's like, "That's it right there, finish that." And I'll be like, "You sure?" And he'll be like, "That's the melody right there." So I lay down the melody, then I put two or three more sounds to it, and then I'll put it in ProTools and he just goes in and rips it from there. I always make music in front of him-on the spot, from scratch. Me and Thug's chemistry is so good, it's immediate every time. What is your workflow like when you are working with Thug? There was a lot of people there, it was me, Alex, Duke was there, and his sisters Dora and Dolly where there. We was high as hell and we was just turning up and making music like we always do and Thug pulled up. I think we made "Digits," "Memo," and "Tattoos and Piercings" all in one day. All the tracks that are on there are two years old.